Alesis QS8: Difference between revisions
(Created page with "{{Infobox module | name = Alesis QS8 | image = {{Photo wanted}} | dimensions = 1295 × 102 × 406 | weight = ~22kg<ref group="infobox">[https://www.midiworld.com/quadrasynth/qs_8.htm#QS8 MIDIWorld review/press release info]</ref> | keyboard = 88 keys, velocity and channel aftertouch sensitive, weighted, hammer-action | manufacturer = Alesis | releasedate = 1996 | standards = General MIDI | maxpoly = 64 | numparts = 16 | numpresets = '''Programs:'''<br>512 factory, 12...") |
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== Waveforms == | == Waveforms == | ||
Below is a list of all available waveforms, taken from the QSR manual<ref>Alesis QSR manual, page 10.</ref>: | Below is a list of all available waveforms, taken from the QSR manual<ref>Alesis QSR manual, page 10.</ref>: | ||
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In addition, the following drum waveforms exist exclusively when a sound is set to "Drum" mode<ref>Alesis QSR manual, page 36.</ref>: | In addition, the following drum waveforms exist exclusively when a sound is set to "Drum" mode<ref>Alesis QSR manual, page 36.</ref>: | ||
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== Oddities == | |||
* Unlike the prior [[Alesis Quadrasynth Plus]] lineup, these keyboards use comparatively smaller 16×2 character LCD displays, which makes the synthesizers much harder to program. The [[Alesis QSR]], as well as the [[QSx.1]] upgrades fix this issue somewhat by introducing a larger LCD, however it will not be as easy to edit regardless as they forgo the menu-like display used in prior synths. | |||
* In mix mode, tweaking the panning controls at all will sum a program up to mono. Some DAWs may transmit panning/volume/pitch configurations upon resuming playback of a song which may make the programs sound a lot worse than they are. A possible mitigation is to record everything in program mode instead, or configure the DAW to filter out panning adjustments. | |||
== References == | == References == | ||
<references /> | <references /> | ||
[[Category:General MIDI devices]][[Category:Alesis Quadrasynth devices]] |
Latest revision as of 13:14, 28 September 2024
(No photo yet. Please contribute one!) | |
W × H × D (mm) | 1295 × 102 × 406 |
---|---|
Weight | ~22kg[infobox 1] |
Keyboard | 88 keys, velocity and channel aftertouch sensitive, weighted, hammer-action |
Manufacturer | Alesis |
Release date | 1996 |
Standards | General MIDI |
Parts | 16 |
Max polyphony | 64 |
Normal presets | Programs: 512 factory, 128 user Mixes: 400 factory, 100 user |
Expansion | 2 × Alesis PCMCIA |
Effects | 5 algorithms, based on the Alesis Quadraverb Q2. |
← Alesis Quadrasynth Plus | |
Alesis QSR, Alesis QSx.1 → | |
The Alesis QS8 is the successor to the Alesis Quadrasynth Plus lineup, featuring a brand new 16MB waveform ROM, new presets and mixes, and an additional Alesis PCMCIA expansion slot.
Effects
The effects are identical to those found on the Alesis Quadrasynth Plus - five algorithms in total, with the same drawbacks made to Configuration #1 and #3.
Alesis QS7
The Alesis QS7 is identical to the QS8, except the keyboard is smaller - at only 76 keys, an octave less, and the keybed is velocity and channel aftertouch sensitive, but with semi-weighted, synth-action type of keys instead of the hammer action found on the QS8. Its dimensions are (in width × height × depth, millimetres) 1124 × 83 × 279
Waveforms
Below is a list of all available waveforms, taken from the QSR manual[1]:
In addition, the following drum waveforms exist exclusively when a sound is set to "Drum" mode[2]:
Oddities
- Unlike the prior Alesis Quadrasynth Plus lineup, these keyboards use comparatively smaller 16×2 character LCD displays, which makes the synthesizers much harder to program. The Alesis QSR, as well as the QSx.1 upgrades fix this issue somewhat by introducing a larger LCD, however it will not be as easy to edit regardless as they forgo the menu-like display used in prior synths.
- In mix mode, tweaking the panning controls at all will sum a program up to mono. Some DAWs may transmit panning/volume/pitch configurations upon resuming playback of a song which may make the programs sound a lot worse than they are. A possible mitigation is to record everything in program mode instead, or configure the DAW to filter out panning adjustments.