GM–GS–XG quick reference: Difference between revisions
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! Notes | ! Notes | ||
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| 0 || Bank Select MSB ||❌||*️⃣<ref name=mkii-p90>Roland SC-55mkII Owner's Manual, page 90.</ref>||*️⃣||On GS, this selects variation instruments.<br>On XG, this selects banks. Common numbers: | | 0 || Bank Select MSB ||❌||*️⃣<ref name=mkii-p90>Roland SC-55mkII Owner's Manual, page 90.</ref>||*️⃣<ref name=xg-p16>Yamaha XG Specifications, v 2.00, page 16.</ref>||On GS, this selects variation instruments.<br>On XG, this selects banks. Common numbers: | ||
* 0 = most normal instruments | * 0 = most normal/melody instruments<ref name=xg-p16></ref> | ||
* 126 = SFX | * 64 = SFX voices<ref name=xg-p16></ref> | ||
* 127 = drumkits (sets part to drum mode) | * 126 = SFX kits<ref name=xg-p16></ref> | ||
* 127 = drumkits (sets part to drum mode)<ref name=xg-p16></ref> | |||
|- | |- | ||
| 1 || Modulation ||✅<ref name=gm1-p2>General MIDI System Level 1 Specification, page 2</ref>||✅<ref name=mkii-p90></ref>||✅||Vibrato by default | | 1 || Modulation ||✅<ref name=gm1-p2>General MIDI System Level 1 Specification, page 2</ref>||✅<ref name=mkii-p90></ref>||✅<ref name=xg-p17>Yamaha XG Specifications, v 2.00, page 17.</ref>||On GS and XG, this is Vibrato by default<ref name=mkii-p90></ref><ref name=xg-p17></ref> | ||
|- | |- | ||
| 5 || Portamento time ||❌||✅<ref name=mkii-p90></ref>|| ||Value 0 is fastest | | 5 || Portamento time ||❌||✅<ref name=mkii-p90></ref>||✅<ref name=xg-p18>Yamaha XG Specifications, v 2.00, page 18.</ref>||Value 0 is shortest/fastest.<ref name=mkii-p90></ref><ref name=xg-p18></ref> On XG, it is cent-linear.<ref name=xg-p18></ref> | ||
|- style="background: lightgrey" | |- style="background: lightgrey" | ||
| ''6'' || ''Data entry MSB'' ||*️⃣||*️⃣<ref name=mkii-p90></ref>||*️⃣|| ''(Used for RPNs and NRPNs)'' | | ''6'' || ''Data entry MSB'' ||*️⃣||*️⃣<ref name=mkii-p90></ref>||*️⃣<ref name=xg-p18></ref>|| ''(Used for RPNs and NRPNs)'' | ||
|- | |- | ||
| 7 || Volume ||✅<ref name=gm1-p2></ref>||✅<ref name=mkii-p90></ref>||✅|| | | 7 || Volume ||✅<ref name=gm1-p2></ref>||✅<ref name=mkii-p90></ref>||✅<ref name=xg-p18></ref>|| | ||
|- | |- | ||
| 10 || Pan ||✅<ref name=gm1-p2></ref>||✅<ref name=mkii-p90></ref>||✅|| | | 10 || Pan ||✅<ref name=gm1-p2></ref>||✅<ref name=mkii-p90></ref>||✅<ref name=xg-p18></ref>|| | ||
|- | |- | ||
| 11 || Expression ||✅<ref name=gm1-p2></ref>||✅<ref name=mkii-p90></ref>||✅||On GS, this is multiplied with Volume to control overall volume.<ref name=mkii-p90></ref> | | 11 || Expression ||✅<ref name=gm1-p2></ref>||✅<ref name=mkii-p90></ref>||✅<ref name=xg-p18></ref>||On GS, this is multiplied with Volume to control overall volume.<ref name=mkii-p90></ref> | ||
|- | |- | ||
| 32 || Bank Select LSB ||❌||❌<ref name=mkii-p90></ref>||✅||On GS/the SC-55, this does nothing. But the SC-88 onwards use this to select maps:<br> | | 32 || Bank Select LSB ||❌||❌<ref name=mkii-p90></ref>||✅<ref name=xg-p16></ref>||On GS/the SC-55, this does nothing. But the SC-88 onwards use this to select maps:<br> | ||
* 0 = default | * 0 = default | ||
* 1 = SC-55 | * 1 = SC-55 | ||
Line 35: | Line 36: | ||
* 3 = SC-88 Pro | * 3 = SC-88 Pro | ||
* 4 = SC-8850/SC-8820 | * 4 = SC-8850/SC-8820 | ||
On XG, this selects | On XG, this selects extension instruments.<ref name=xg-p16></ref> | ||
|- style="background: lightgrey" | |- style="background: lightgrey" | ||
| ''38'' || ''Data entry LSB'' ||*️⃣||*️⃣<ref name=mkii-p90></ref>||*️⃣|| ''(Used for RPNs and NRPNs)'' | | ''38'' || ''Data entry LSB'' ||*️⃣||*️⃣<ref name=mkii-p90></ref>||*️⃣<ref name=xg-p18></ref>|| ''(Used for RPNs and NRPNs)'' | ||
|- | |- | ||
| 64 || Sustain ||✅<ref name=gm1-p2></ref>||✅<ref name=mkii-p91>Roland SC-55mkII Owner's Manual, page 91.</ref>||✅|| AKA Hold1<ref name=mkii-p91></ref>. 0–63 = Off, 64–127 = On.<ref name=mkii-p91></ref> | | 64 || Sustain ||✅<ref name=gm1-p2></ref>||✅<ref name=mkii-p91>Roland SC-55mkII Owner's Manual, page 91.</ref>||✅<ref name=xg-p19>Yamaha XG Specifications, v 2.00, page 19.</ref>|| AKA Hold1<ref name=mkii-p91></ref>. 0–63 = Off, 64–127 = On.<ref name=mkii-p91></ref><ref name=xg-p19></ref> | ||
|- | |- | ||
| 65 || Portamento ||❌||✅<ref name=mkii-p91></ref>||||0–63 = Off, 64–127 = On.<ref name=mkii-p91></ref> | | 65 || Portamento ||❌||✅<ref name=mkii-p91></ref>||✅<ref name=xg-p19></ref>||0–63 = Off, 64–127 = On.<ref name=mkii-p91></ref><ref name=xg-p19></ref> | ||
|- | |- | ||
| 66 || Sostenuto ||❌||✅<ref name=mkii-p91></ref>||||0–63 = Off, 64–127 = On.<ref name=mkii-p91></ref> | | 66 || Sostenuto ||❌||✅<ref name=mkii-p91></ref>||✅<ref name=xg-p19></ref>||0–63 = Off, 64–127 = On.<ref name=mkii-p91></ref><ref name=xg-p19></ref> | ||
|- | |- | ||
| 67 || Soft ||❌||✅<ref name=mkii-p91></ref>|||| | | 67 || Soft ||❌||✅<ref name=mkii-p91></ref>||✅<ref name=xg-p20>Yamaha XG Specifications, v 2.00, page 20.</ref>||Aka Soft Pedal<ref name=xg-p20></ref> | ||
|- | |- | ||
| | | 71 || Sound Controller 2 ||❌||❌||✅<ref name=xg-p20></ref>||On XG, called "Harmonic Content". Relative adjustment of filter resonance (64 is zero change).<ref name=xg-p20></ref><br>Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?) | ||
|- | |- | ||
| | | 72 || Sound Controller 3 ||❌||❌||✅<ref name=xg-p20></ref>||On XG, called "Release Time". Relative adjustment of envelope release time (64 is zero change).<ref name=xg-p20></ref><br>Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?) | ||
|- | |- | ||
| 93 || Effect 3 depth ||❌||✅<ref name=mkii-p91></ref>||✅||GS and XG: Chorus send level | | 73 || Sound Controller 4 ||❌||❌||✅<ref name=xg-p20></ref>||On XG, called "Attack Time". Relative adjustment of envelope attack time (64 is zero change).<ref name=xg-p20></ref><br>Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?) | ||
|- | |||
| 74 || Sound Controller 5 ||❌||❌||✅<ref name=xg-p21>Yamaha XG Specifications, v 2.00, page 21</ref>||On XG, called "Brightness". Relative adjustment of filter cutoff (64 is zero change).<ref name=xg-p21></ref><br>Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?) | |||
|- | |||
| 84 || Portamento Control ||❌||✅<ref name=mkii-p91></ref>||✅<ref name=xg-p21></ref>||Value is MIDI note number.<ref name=mkii-p91></ref> On XG, ignores Portamento Time (always 0).<ref name=xg-p21></ref> | |||
|- | |||
| 91 || Effect 1 depth ||❌||✅<ref name=mkii-p91></ref>||✅<ref name=xg-p21></ref>||GS and XG: Reverb send level<ref name=xg-p21></ref><ref name=mkii-p91></ref> | |||
|- | |||
| 93 || Effect 3 depth ||❌||✅<ref name=mkii-p91></ref>||✅<ref name=xg-p21></ref>||GS and XG: Chorus send level<ref name=xg-p21></ref><ref name=mkii-p91></ref> | |||
|- | |||
| 94 || Effect 4 depth ||❌||❌||✅<ref name=xg-p21></ref>||On XG: Variation send level.<ref name=xg-p21></ref><br>Not supported on GS/SC-55, but SC-88 and onwards use this for Delay Send (TODO: double check this is correct). | |||
|- style="background: lightgrey" | |||
| ''96'' || ''Data increment'' ||❌||❌||*️⃣<ref name=xg-p22></ref>|| ''(Used for RPNs and NRPNs)'' (TODO: check this) | |||
|- style="background: lightgrey" | |||
| ''97'' || ''Data decrement'' ||❌||❌||*️⃣<ref name=xg-p22>Yamaha XG Specifications, v 2.00, page 22</ref>|| ''(Used for RPNs and NRPNs)'' (TODO: check this) | |||
|- style="background: lightgrey" | |- style="background: lightgrey" | ||
| ''98'' || ''NRPN LSB'' ||❌||*️⃣<ref name=mkii-p91></ref>||*️⃣|| ''(Used for NRPNs)'' | | ''98'' || ''NRPN LSB'' ||❌||*️⃣<ref name=mkii-p91></ref>||*️⃣|| ''(Used for NRPNs)'' |
Revision as of 02:08, 26 August 2024
This is a help page listing which MIDI messages can be used for common things across General MIDI, Roland GS and Yamaha XG.
Note that there doesn't seem to be a formal GS standard that is publicly available, so the Roland SC-55mkII manual is the best reference for GS.
Ctrl # | Function | Notes | |||
---|---|---|---|---|---|
0 | Bank Select MSB | ❌ | *️⃣[1] | *️⃣[2] | On GS, this selects variation instruments. On XG, this selects banks. Common numbers: |
1 | Modulation | ✅[3] | ✅[1] | ✅[4] | On GS and XG, this is Vibrato by default[1][4] |
5 | Portamento time | ❌ | ✅[1] | ✅[5] | Value 0 is shortest/fastest.[1][5] On XG, it is cent-linear.[5] |
6 | Data entry MSB | *️⃣ | *️⃣[1] | *️⃣[5] | (Used for RPNs and NRPNs) |
7 | Volume | ✅[3] | ✅[1] | ✅[5] | |
10 | Pan | ✅[3] | ✅[1] | ✅[5] | |
11 | Expression | ✅[3] | ✅[1] | ✅[5] | On GS, this is multiplied with Volume to control overall volume.[1] |
32 | Bank Select LSB | ❌ | ❌[1] | ✅[2] | On GS/the SC-55, this does nothing. But the SC-88 onwards use this to select maps:
On XG, this selects extension instruments.[2] |
38 | Data entry LSB | *️⃣ | *️⃣[1] | *️⃣[5] | (Used for RPNs and NRPNs) |
64 | Sustain | ✅[3] | ✅[6] | ✅[7] | AKA Hold1[6]. 0–63 = Off, 64–127 = On.[6][7] |
65 | Portamento | ❌ | ✅[6] | ✅[7] | 0–63 = Off, 64–127 = On.[6][7] |
66 | Sostenuto | ❌ | ✅[6] | ✅[7] | 0–63 = Off, 64–127 = On.[6][7] |
67 | Soft | ❌ | ✅[6] | ✅[8] | Aka Soft Pedal[8] |
71 | Sound Controller 2 | ❌ | ❌ | ✅[8] | On XG, called "Harmonic Content". Relative adjustment of filter resonance (64 is zero change).[8] Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?) |
72 | Sound Controller 3 | ❌ | ❌ | ✅[8] | On XG, called "Release Time". Relative adjustment of envelope release time (64 is zero change).[8] Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?) |
73 | Sound Controller 4 | ❌ | ❌ | ✅[8] | On XG, called "Attack Time". Relative adjustment of envelope attack time (64 is zero change).[8] Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?) |
74 | Sound Controller 5 | ❌ | ❌ | ✅[9] | On XG, called "Brightness". Relative adjustment of filter cutoff (64 is zero change).[9] Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?) |
84 | Portamento Control | ❌ | ✅[6] | ✅[9] | Value is MIDI note number.[6] On XG, ignores Portamento Time (always 0).[9] |
91 | Effect 1 depth | ❌ | ✅[6] | ✅[9] | GS and XG: Reverb send level[9][6] |
93 | Effect 3 depth | ❌ | ✅[6] | ✅[9] | GS and XG: Chorus send level[9][6] |
94 | Effect 4 depth | ❌ | ❌ | ✅[9] | On XG: Variation send level.[9] Not supported on GS/SC-55, but SC-88 and onwards use this for Delay Send (TODO: double check this is correct). |
96 | Data increment | ❌ | ❌ | *️⃣[10] | (Used for RPNs and NRPNs) (TODO: check this) |
97 | Data decrement | ❌ | ❌ | *️⃣[10] | (Used for RPNs and NRPNs) (TODO: check this) |
98 | NRPN LSB | ❌ | *️⃣[6] | *️⃣ | (Used for NRPNs) |
99 | NRPN MSB | ❌ | *️⃣[6] | *️⃣ | (Used for NRPNs) |
100 | RPN LSB | *️⃣ | *️⃣[11] | *️⃣ | (Used for RPNs) |
101 | RPN MSB | *️⃣ | *️⃣[11] | *️⃣ | (Used for RPNs) |
References
- ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 Roland SC-55mkII Owner's Manual, page 90.
- ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 Yamaha XG Specifications, v 2.00, page 16.
- ↑ 3.0 3.1 3.2 3.3 3.4 General MIDI System Level 1 Specification, page 2
- ↑ 4.0 4.1 Yamaha XG Specifications, v 2.00, page 17.
- ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 Yamaha XG Specifications, v 2.00, page 18.
- ↑ 6.00 6.01 6.02 6.03 6.04 6.05 6.06 6.07 6.08 6.09 6.10 6.11 6.12 6.13 6.14 6.15 Roland SC-55mkII Owner's Manual, page 91.
- ↑ 7.0 7.1 7.2 7.3 7.4 7.5 Yamaha XG Specifications, v 2.00, page 19.
- ↑ 8.0 8.1 8.2 8.3 8.4 8.5 8.6 8.7 Yamaha XG Specifications, v 2.00, page 20.
- ↑ 9.0 9.1 9.2 9.3 9.4 9.5 9.6 9.7 9.8 9.9 Yamaha XG Specifications, v 2.00, page 21
- ↑ 10.0 10.1 Yamaha XG Specifications, v 2.00, page 22
- ↑ 11.0 11.1 Roland SC-55mkII Owner's Manual, page 92.