GM–GS–XG quick reference

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This is a help page listing which MIDI messages can be used for common things across General MIDI, Roland GS and Yamaha XG.

Note that there doesn't seem to be a formal GS standard that is publicly available, so the Roland SC-55mkII manual is the best reference for GS.

Control Change messages
Ctrl # Function General MIDI Roland GS
Yamaha XG Notes
0 Bank Select MSB *️⃣[1] *️⃣[2] On GS, this selects variation instruments.
On XG, this selects banks. Common numbers:
  • 0 = most normal/melody instruments[2]
  • 64 = SFX voices[2]
  • 126 = SFX kits[2]
  • 127 = drumkits (sets part to drum mode)[2]
1 Modulation [3] [1] [4] On GS and XG, this is Vibrato by default[1][4]
5 Portamento time [1] [5] Value 0 is shortest/fastest.[1][5] On XG, it is cent-linear.[5]
6 Data entry MSB *️⃣ *️⃣[1] *️⃣[5] (Used for RPNs and NRPNs)
7 Volume [3] [1] [5]
10 Pan [3] [1] [5]
11 Expression [3] [1] [5] On GS, this is multiplied with Volume to control overall volume.[1]
32 Bank Select LSB [1] [2] On GS/the SC-55, this does nothing. But the SC-88 onwards use this to select maps:
  • 0 = default
  • 1 = SC-55
  • 2 = SC-88
  • 3 = SC-88 Pro
  • 4 = SC-8850/SC-8820

On XG, this selects extension instruments.[2]

38 Data entry LSB *️⃣ *️⃣[1] *️⃣[5] (Used for RPNs and NRPNs)
64 Sustain [3] [6] [7] AKA Hold1[6]. 0–63 = Off, 64–127 = On.[6][7]
65 Portamento [6] [7] 0–63 = Off, 64–127 = On.[6][7]
66 Sostenuto [6] [7] 0–63 = Off, 64–127 = On.[6][7]
67 Soft [6] [8] Aka Soft Pedal[8]
71 Sound Controller 2 [8] On XG, called "Harmonic Content". Relative adjustment of filter resonance (64 is zero change).[8]
Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?)
72 Sound Controller 3 [8] On XG, called "Release Time". Relative adjustment of envelope release time (64 is zero change).[8]
Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?)
73 Sound Controller 4 [8] On XG, called "Attack Time". Relative adjustment of envelope attack time (64 is zero change).[8]
Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?)
74 Sound Controller 5 [9] On XG, called "Brightness". Relative adjustment of filter cutoff (64 is zero change).[9]
Not supported on GS, but there is an NRPN. (TODO: Some later Sound Canvas models respond to this also. Which?)
84 Portamento Control [6] [9] Value is MIDI note number.[6] On XG, ignores Portamento Time (always 0).[9]
91 Effect 1 depth [6] [9] GS and XG: Reverb send level[9][6]
93 Effect 3 depth [6] [9] GS and XG: Chorus send level[9][6]
94 Effect 4 depth [9] On XG: Variation send level.[9]
Not supported on GS/SC-55, but SC-88 and onwards use this for Delay Send (TODO: double check this is correct).
96 Data increment *️⃣[10] (Used for RPNs and NRPNs) (TODO: check this)
97 Data decrement *️⃣[10] (Used for RPNs and NRPNs) (TODO: check this)
98 NRPN LSB *️⃣[6] *️⃣[10] (Used for NRPNs)
99 NRPN MSB *️⃣[6] *️⃣[10] (Used for NRPNs)
100 RPN LSB *️⃣ *️⃣[11] *️⃣[12] (Used for RPNs)
101 RPN MSB *️⃣ *️⃣[11] *️⃣[12] (Used for RPNs)

References

  1. 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 Roland SC-55mkII Owner's Manual, page 90.
  2. 2.0 2.1 2.2 2.3 2.4 2.5 2.6 Yamaha XG Specifications, v 2.00, page 16.
  3. 3.0 3.1 3.2 3.3 3.4 General MIDI System Level 1 Specification, page 2
  4. 4.0 4.1 Yamaha XG Specifications, v 2.00, page 17.
  5. 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 Yamaha XG Specifications, v 2.00, page 18.
  6. 6.00 6.01 6.02 6.03 6.04 6.05 6.06 6.07 6.08 6.09 6.10 6.11 6.12 6.13 6.14 6.15 Roland SC-55mkII Owner's Manual, page 91.
  7. 7.0 7.1 7.2 7.3 7.4 7.5 Yamaha XG Specifications, v 2.00, page 19.
  8. 8.0 8.1 8.2 8.3 8.4 8.5 8.6 8.7 Yamaha XG Specifications, v 2.00, page 20.
  9. 9.0 9.1 9.2 9.3 9.4 9.5 9.6 9.7 9.8 9.9 Yamaha XG Specifications, v 2.00, page 21
  10. 10.0 10.1 10.2 10.3 Yamaha XG Specifications, v 2.00, page 22
  11. 11.0 11.1 Roland SC-55mkII Owner's Manual, page 92.
  12. 12.0 12.1 Yamaha XG Specifications, v 2.00, page 23

See also